The Ontology of the Body in Hassan Salem Al-Dabbagh's poetry polemics of the Unmovable and Movable

Abstract

        This intensive critical approach, which seeks to see a modern poetic text, is an effective model in the Iraqi poetry of the poet Hassan Salem Al-Dabbagh by investing his clear tendency to employ the body in it. Al-Dabbagh is actually betting on the commitment of the suggestive and expressive ability of the body through its multiple outlets and different corners, which is equal to_ , if not say, the linguistic ability to speak and poetic proof. It opens the way for imaginary and suggestive visions that increase the chances of involving the reader in producing connotation and reliance on his consciousness in sensing artistic values in the text. The first text, entitled “the representations of the body" depends on the poet's ability to include the representations of the body in the text within its fixed paths, moving between the face, head and hand. The second section ended with a clear critical vision related to (semantic transformations of the body) when the body translates the visions of the writer or poet into semantic manifestations such as sex, lust, life, death, love, and hatred, to other semantic data resulting from the use of the body in the text.